Ian Plenderleith finds artists from Norway and Switzerland exploring the meaning and limits of the game (and the language), while Englishmen past and present have captured the game’s historic vistas
The history of football and art is littered with badly proportioned pencil drawings, misty-edged portraits and, on the pitch, mostly miscued overhead kicks that end up leaving their artists flat on the canvas. Once in a while, though, those overhead shots hit the target and we celebrate the beauty, just as the occasional non-playing artist captures something of the game’s elusive but undeniable aesthetic side.