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While today graffiti is a public method of making coded statements, in the 1970s it was about football and plain speaking, if not always great spelling, as  Jim Heath recalls

Apart from Arsenal fans spraying their hair red in honour of Freddie Ljungberg, it’s been a long time since spray paint played an active part in the football supporters’ repertoire. Football graffiti had its heyday in the early 1970s when it gave crumbling stadiums that extra, almost indefinable character, the worn brick and corrugated iron surrounds of the terraces being a per­fect canvas for budding artists. It wasn’t just re­stricted to the grounds themselves, with daubings on all points from the city centres and railway stations. Given its intimidatory presence which heightened the fear that you were going to get your head kicked in, it’s ironic that the graffiti trend was inspired mainly by the 1960s peace movement, who used it to protest against the Vietnam war and express support for Castro’s Cuba (“LBJ get out of Vietnam” was still visible on a wall opposite the Craven Cottage turnstiles into the 1980s).

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English Football and its Finances report makes 30 recommendations. Roger Titford argues that they are flawed and too idealistic

I remember lobbying MPs in the 1980s about the supporters’ identity-card schemes and being appalled at how out-of-touch and reactionary MPs were then. This report, English Football and its Finances, bears testimony to the sea-change in MPs’ attitudes to football and how much ground the “fans’ agenda” has captured. Sadly, this may be its only achievement.

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BBC coverage of the African Nations Cup fails to excite, reports Tom Davies

If there was a hint of desperation in the way the BBC hyped its first foray into covering the African Nations Cup, two years ago, there was at least a sense this year that it’s beginning to grow into the job. Of course, any broadcaster is hostage to the quality of the event and the 2002 ANC was a grim, joyless tournament whose dullness the Beeb couldn’t quite bring itself to admit, whereas Tunisia 2004, though patchy, greatly exceeded its predecessor for excitement and unpredictability.

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Dear WSC
I enjoyed the articles on the links be­tween football and rap (WSC 204). One important connection has been over­looked, however. In a slightly surreal in­terview on Liverpool’s official site from 2001, Dr Dre reveals himself as a fan of the (his words) “cool cats in red”. At the time of the interview, Dre’s Liverpool favourite was Michael Owen, though he says he was first attracted to  the Reds by John Barnes. “He was bad,” Dre explains. “Kinda reminded me of Magic Johnson.” He goes on to describe Robbie Fowler and Jamie Redknapp as “old school” and Czech midfielder Patrik Berger as “the bomb”. How long will it be before Eminem admits that Tomas Repka is a role model?
Sam Beckwith, Prague, Czech Republic

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Nowhere is the women’s game more buoyant than in Germany. Margot Dunne  reports on the homecoming for the World Cup winners and the hopes for a full-time league

Six months ago, all the average German male knew about women’s football could be written on the back of a beer mat with a blunt bockwurst. But all that was before October 12 last year when Nia Künzer’s golden goal in the final against Sweden shot her country to World Cup glory. The team returned from America and were over­whelmed by the kind of frenzied reception to which their male counterparts grew accustomed in recent decades. The trophy was paraded in front of thousands of screaming fans in Frankfurt; there were chat show appearances for coaches Tina Theune-Meyer and Sylvia Neid; and end­less magazine covers featured the new world champions in all their fresh-faced whole­someness. Journalists voted them “Team of the year” at Germany’s Sports Personality Awards – a title bestowed the previous year on Rudi Völler’s men.

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