Search: ' Supporters Direct'

An extract from a new book about the 1966 World Cup looks at how exotic visitors to that tournament inspired England’s own fans to travel abroad

29 June ~ The England squad that travelled to the 1962 World Cup in Chile had to endure a flight with two separate changes to Lima where they played a warm-up game against Peru before moving on to Santiago, then Rancagua where they would play their group games and then bus to their base at the Braden Copper Company staff house in Coya, some 2,500 feet up in the Andes. The journey of over 7,500 miles would have taken them more than twenty four hours. Hardly an ideal preparation for the tournament.

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Supporters Direct asking members for opinions on reorganisation

5 June ~ On May 19 the Football League put forward proposals to reorganise the domestic system into five divisions of 20 teams from the 2019-20 season. The League claim that clubs would not be financially worse off despite having fewer games, while it would also help to ease fixture congestion. The suggestions received a mixed response from both those running and supporting clubs in the divisions that would be affected. Now Supporters Direct are asking their members’ opinions on the proposals – you can take the survey here.

When the FA Cup really mattered Vol 3
by Matthew Eastley
Pitch Publishing, £14.99
Reviewed by Jonathan Paxton
From WSC 342 August 2015

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It’s hard to imagine Aston Villa or even Arsenal fans looking back on this year’s FA Cup final with much nostalgia but a dip into Matthew Eastley’s entertaining trip through finals from the 1980s is a pleasant reminder of why the competition’s heritage means so much to fans of a certain age. This was a time when Cup runs excited whole communities and smaller clubs had genuine hopes of reaching Wembley and lifting the famous trophy.

The stories, told chronologically from West Ham’s win over Arsenal in 1980, are recalled by fans in their own words and the absence of journalistic hyperbole is welcome. Interviews with supporters at Wembley on the day gives the stories a down-to-earth quality and fans of all clubs will understand quirks such as the West Ham fan who stuffs his Wembley ticket in his Y-fronts for safe keeping. Referencing hit singles and news stories of the day is a standard, if predictable way of placing the events in time but, by having fans recall the horrendous fashions of the era, we identify closely with them.

The other device used by Eastley is to revisit TV coverage of the day’s build-up and match. Cup final editions of Mastermind and It’s A Knockout are recalled with little affection and one wonders how Michael Barrymore blacking up to greet John Barnes at the Watford team hotel in 1984 was ever considered appropriate. Yes, we’ve all seen Ricky Villa’s goal and Gordon Smith’s miss but Eastley still manages to maintain some tension when describing matches and even the dire 1982 final is injected with drama. Some match reports (particularly from earlier rounds) do get a little stat heavy however and transcripts of John Motson’s commentary and basic descriptions of well-known action don’t add much to our knowledge of the matches. The occasional nugget does appear though: the tragic story of Welsh international winger Alan Davies (a winner in 1983 with Manchester United) is briefly touched upon and feels like it deserves its own book.

While there is no nostalgia for hooliganism, anecdotes of fans sneaking onto the opposing terraces are written with a sense of cheeky fun but descriptions of a dilapidated Wembley and crowd congestion are ominous. For those who fail to get tickets through the official channels, going directly to touts is seen as a perfectly viable option at the time and poor policing and stewarding is the norm. The author deserves great credit for his handling of the 1989 final.

Whether a supporter of the clubs involved or not, most fans will find something to identify with here. Those around at the time will enjoy the evocative memories but for younger fans, brought up on Sky coverage and all-seat stadiums, the sport may be unrecognisable. While it will probably find more warmth in Brighton and Coventry than in Liverpool or Manchester, this is an enjoyable retrospective of a time when Cup finals did actually stay long in the memory.

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Hitchin Town’s historic Top Field stadium is under threat as the trust who look after the site want to sell it to a supermarket, explains John Carter

On October 8 a packed meeting at Hitchin Town FC heard the club’s managing director, Andy Melvin, reveal that their ground, which is due to celebrate its 150th anniversary next year, was to be replaced by a supermarket. He explained how the executive had been presented with a non-negotiable offer by their landlords, Hitchin Cow Commoners Trust. They were required to sign a 25-year lease containing a five-year break clause, invokable should a store be permitted on the site. In compensation the club would move to an as yet unbuilt stadium outside town, to face an indeterminate future.

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Huw Richards reviews Swansea City documentary Jack To A King, charting the club’s rise to the Premier League

That the Swansea City film documentary Jack To A King briefly had a higher average score than perennial “best ever” The Shawshank Redemption on the IMDB film website is as statistically meaningful as the league tables newspapers insist on printing after one match. But approval from amateur reviewers and short extensions to planned runs in four west Wales cinemas suggests that JTAK – out on DVD and digitally in December – is a hit with its target audience, and with good reason.

It looks terrific, has big-screen production values and vividly recalls familiar scenes and stories. There is achingly evocative footage of the old Vetch Field and some great match action. The film-makers found compelling voices. James Thomas, whose goals kept the Swans in the league in 2003, is gently amiable while Leon Britton is engaging, observant and thoughtful. Fans of all clubs will recognise the feelings director Martin Morgan describes from the Championship play-off final against Reading, while fellow director David Morgan gives the narrative its emotional core.

The quality of those voices made it possible to dispense with traditional documentary props. There is no voiceover narrator or outside expert analysis – although the happy accident that fan Huw Bowen is also Professor of History at Swansea University enables some valuable perspective-setting – and no captions introducing speakers. This last may leave those not in the know a little puzzled at times.

Bookending Swansea’s recent history with the galvanising battle against unpopular owner Tony Petty in 2001 and promotion to the Premier League a decade later makes dramatic sense. Securing an interview with Petty was a coup, but his pleas in mitigation are outweighed by clear evidence that he was not, as asserted at the time, the only potential buyer and club employees recalling how they frantically hid cash whenever he was on the premises. To thank him – as executive producer Mal Pope has said some do – for the club’s subsequent rise is akin to crediting Andy Coulson for raising awareness of press intrusion.

One particularly memorable sequence recalls Petty’s sale of the club to the current owners, offering the compelling image of £20,000 in Tesco bags while leaving unexplained the logistics of extracting such a sum from cashpoints. The one real misjudgement is interviewing the “North Bank Alliance” opposition group in balaclava masks, making them look both nastier and far more serious than they ever were.

Fans of other clubs wanting to know what enabled Swansea’s new owners not only to survive, but prosper beyond all reasonable expectation, will find hints rather than exposition. But the film rightly identifies unpretentious chairman Huw Jenkins and, on the field, Roberto Martínez, as the key individuals along with the commercial transformation enabled by the move to the council-funded Liberty Stadium in 2005. Sequences in which Jenkins’ and Martínez’s parents talk of their contrasting sons and the crumbling Vetch is juxtaposed with the Liberty are particularly effective.

Imperatives to tell the story in 99 minutes and make it personal inevitably claim victims. Chronology is sometimes shaky – although starting with Dylan Thomas’s “To begin at the beginning” then going almost straight to the 2011 play-off final shows a certain chutzpah. Managers Kenny Jackett, credited elsewhere by Jenkins as a vital system builder, and Paulo Sousa disappear, although John Toshack, manager last time the Swans went from the fourth to the first, looms Hitchcockishly at Wembley. The main loser, paradoxically given the emphasis on fans as owners, are the Swans Supporters Trust. That they were already in existence and not, as the film implies, created in response to Petty is no minor detail. An established, if new, Trust played a far greater role than one improvised out of crisis could have done.

Similarly concentration on the personal histories of directors serves, presumably unintentionally, to marginalise the Trust. The end title referring to them still owning 20 per cent of the club looks a forlorn late gesture at redress, and could, without spoiling the story, have added that Swansea remain in the Premier League and won the League Cup in 2013. But if JTAK is shaky on some detail, it gets the big picture right – a retelling worthy of a remarkable story.

From WSC 333 November 2014